66 3 367 https://thefabricofcultures.com/CultureOfFashion/files/original/e9148d2a42d200a50e1f57c9ee5fd17d.jpg 6b7704d1ba0ad3a8f3bbac4b38078435 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sylvia in the Fountain: Re-creating The Look Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Federico, Come Here! Subject The topic of the resource Poster from the 2020 Transilvania International Film Festival, which paid homage to Federico Fellini Creator An entity primarily responsible for making the resource Marius Mariș, photographer Contributor An entity responsible for making contributions to the resource Monica Bârlădeanu in a costume by Lena Criveanu. Rights Information about rights held in and over the resource Transilvania International Film Festival https://thefabricofcultures.com/CultureOfFashion/files/original/71c4ef22055011d3527cf2172b60da66.jpg 5127653a4f05ffc7c1249a6b64b5c315 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sylvia in the Fountain: Re-creating The Look Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Anita Ekberg (La Dolce Vita) inspired look, minus the curves" Subject The topic of the resource Photo collage featuring recreation of Anita Ekberg's character, Syliva, in La Dolce Vita Description An account of the resource Social media post featuring woman recreating an iconic Anita Ekberg pose from La Dolce Vita Creator An entity primarily responsible for making the resource r/VintageFashion on reddit.com Source A related resource from which the described resource is derived https://www.reddit.com/r/VintageFashion/comments/mf7h7r/anita_ekberg_la_dolce_vita_inspired_look_minus/ Publisher An entity responsible for making the resource available r/VintageFashion on reddit.com Date A point or period of time associated with an event in the lifecycle of the resource 2020 https://thefabricofcultures.com/CultureOfFashion/files/original/ddca353766af355ddb24de0a22813a75.jpg cb25b82c27248c0ab7933e1acf42ed59 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sylvia in the Fountain: Creating The Look Subject The topic of the resource The black velvet evening dress in La Dolce Vita--who made it, who wore it, and what it all meant Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A Life of Its Own Subject The topic of the resource On the set during the filming of Sylvia's dancing scene in La Dolce Vita (1960) Description An account of the resource In thinking about dress as a situated body practice, consider the relationship between a garment and the body wearing it. Is it reciprocal, transactional, symbiotic? When a body moves in a garment, how does the garment react? As vintage fashion blogger Kali Pappas writes, "The way Ekberg whirls through the Caracalla scene, it’s almost like the dress has taken on a life of its own." Source A related resource from which the described resource is derived Still photo from La Dolce Vita