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                  <text>1910s</text>
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                  <text>Sarah Porterfield</text>
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                <text>"Mothers of Men" (pro-suffrage film, 1917)</text>
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                <text>1910 Fashion</text>
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                <text>This is a very effective and affecting suffrage film released shortly before women got the vote. It paints suffragists in a positive light. They are shown as respectable and attractive.</text>
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                <text>Plymouth Pictures Corporation, USA, 1917</text>
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                <text>"Creativity and Persistence: Art that Fueled the Fight for Women's Suffrage"</text>
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                <text>Mothers of Men, directed by Willis Robards, Plymouth Pictures Corporation, USA, 1917, film</text>
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                  <text>Indian Sari </text>
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                  <text>Saree Through Time</text>
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                  <text>Tracking the story of the sari from ancient India to British colonialism to India as a nation state </text>
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                <text>Drawing by anonymous artist shows "tradespeople" or working class people from all over India including men and women. Key aspects  to highlight for sarees are :&#13;
&#13;
a)  the Parsi lady shown in red wearing a symbolic white hat which gestures to the Zoroastrian religion and by the attire of the children she is with which symbolizes how Parsi children were outfitted at that time. Next to her is a woman in a white sari presumed to be wearing a Parsi Gara sari as shown through the bright intricate red embroidery lining the margins of her sari. This embroidery can be seen in the women in red as well but in a shade of yellow but slightly hidden by eyesight .&#13;
&#13;
b) Nauvrani Saree: The women in the second row in green drape, red choli and yellow petticoat can be deciphered to wear the Maharashtrian Nauvari sari as seen through the bottom composition of the bottom half of the outfit  where the sari wraps around both legs giving it a trouser look. &#13;
&#13;
c) The women in the red and white garment towards the left of the first row is also wearing this same sari , but is probably of lower class/caste as her outfit stops at her knees - a fisherwomen perhaps in the Koli style Saree &#13;
&#13;
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                <text>Annoymous</text>
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                <text>The New York Public Library. (1894). Edad moderna -- trajes usados por los diferentes pueblos de la India Retrieved from https://digitalcollections.nypl.org/items/510d47e1-146e-a3d9-e040-e00a18064a99</text>
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                <text>Attire of Indian Women Regionally</text>
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                <text>1894</text>
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                  <text>Kirty Singh</text>
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                  <text>Tracking the story of the sari from ancient India to British colonialism to India as a nation state </text>
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                <text>Parsi women gathered around a tree wearing their Parsi "Gara" style Sari </text>
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                <text>William J. Johnson for his book "Photographs of Western India. Volume I. Costumes and Characters"</text>
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                <text>Sir Henry Bartle Edward Frere (commonly called Sir Bartle Frere), Governor of Mumbai from 1862 to 1867.</text>
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                <text>DeGolyer Library, South Methodist University - SMU</text>
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                <text>ca. 1855-1862</text>
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