1 3 36 https://thefabricofcultures.com/CultureOfFashion/files/original/14f1a72149dd978056abd8fd1f15b4ba.jpg 451a5dd508c58ee0e285bbfd55b21f36 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Indian Sari Subject The topic of the resource Saree Through Time Creator An entity primarily responsible for making the resource Kirty Singh Description An account of the resource Tracking the story of the sari from ancient India to British colonialism to India as a nation state Contributor An entity responsible for making contributions to the resource Kirty Singh Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Painting Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Indian Attire Cross Regionally Subject The topic of the resource Saree before 1900s Description An account of the resource Painting by famous artist Raja Ravi Varma called "Galaxy of Musicians ", oil on canvas, depicting a group of female musicians dressed in attires from all over India. Creator An entity primarily responsible for making the resource Raja Ravi Varma Date A point or period of time associated with an event in the lifecycle of the resource 1889 https://thefabricofcultures.com/CultureOfFashion/files/original/e140db4685b53c59fea3a2e218d9c74b.jpg 166fcb854c712ddca208d8beddd994e4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Indian Sari Subject The topic of the resource Saree Through Time Creator An entity primarily responsible for making the resource Kirty Singh Description An account of the resource Tracking the story of the sari from ancient India to British colonialism to India as a nation state Contributor An entity responsible for making contributions to the resource Kirty Singh Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Painting Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource This painting titled orginally as above , depicts a women from the Parsi community living the the city of Mumbai. The painting shows a typical Parsi lady wearing a Parsi Gara style sari. This is evidented by the drape across the left shoulder with part of the fabric going around the head to cover it and the top being worn is the Prasi style choli which was influenced by the British exposure as seen through the long sleeves, frill white texture, and with complete length covering the entire body, head to toe. The special part of this sari is of the line of embroidery towards the side which became a signifier for those women. The Gara Sari is named after its base material ,made from a special silk once imported from China called Gaaj but would later be woven and made closer to home for the Parsis' extensive use and requirement of the material. Title A name given to the resource Parsi Lady in Mumbai Painting Subject The topic of the resource Indian Sari Date A point or period of time associated with an event in the lifecycle of the resource 1920 Creator An entity primarily responsible for making the resource M.V.Dhurandhar Source A related resource from which the described resource is derived Women of India by Otto Rothfeld Publisher An entity responsible for making the resource available Project Gutenberg gara mumbai parsi saree https://thefabricofcultures.com/CultureOfFashion/files/original/2f2e6ef855ad4312b1568bed9e3fe7f1.jpg 40b2a589c3e157f0bd161f46e26bd39b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Indian Sari Subject The topic of the resource Saree Through Time Creator An entity primarily responsible for making the resource Kirty Singh Description An account of the resource Tracking the story of the sari from ancient India to British colonialism to India as a nation state Contributor An entity responsible for making contributions to the resource Kirty Singh Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Subject The topic of the resource Indian Sari Description An account of the resource Drawing by anonymous artist shows "tradespeople" or working class people from all over India including men and women. Key aspects to highlight for sarees are : a) the Parsi lady shown in red wearing a symbolic white hat which gestures to the Zoroastrian religion and by the attire of the children she is with which symbolizes how Parsi children were outfitted at that time. Next to her is a woman in a white sari presumed to be wearing a Parsi Gara sari as shown through the bright intricate red embroidery lining the margins of her sari. This embroidery can be seen in the women in red as well but in a shade of yellow but slightly hidden by eyesight . b) Nauvrani Saree: The women in the second row in green drape, red choli and yellow petticoat can be deciphered to wear the Maharashtrian Nauvari sari as seen through the bottom composition of the bottom half of the outfit where the sari wraps around both legs giving it a trouser look. c) The women in the red and white garment towards the left of the first row is also wearing this same sari , but is probably of lower class/caste as her outfit stops at her knees - a fisherwomen perhaps in the Koli style Saree Creator An entity primarily responsible for making the resource Annoymous Source A related resource from which the described resource is derived The New York Public Library. (1894). Edad moderna -- trajes usados por los diferentes pueblos de la India Retrieved from https://digitalcollections.nypl.org/items/510d47e1-146e-a3d9-e040-e00a18064a99 Title A name given to the resource Attire of Indian Women Regionally Date A point or period of time associated with an event in the lifecycle of the resource 1894